The opening page of War Primer contains a short, four-line poem:
Like one who dreams the road ahead is steep
I know the way Fate has prescribed for us
That narrow way towards a precipice.
Just follow. I can find it in my sleep.
Knight of the Living Dead
George A. Romero is dead. And much as some of us would like it, the director of the most iconic zombie horror films of late capitalism will not be rising from the grave to walk among us. But the ravenous consumption that we see in his creations – of flesh, of our sanity, of our hope for the future – will continue. Unless it is brought to its knees then late capitalism has all but assured this.
The interview below with author and film studies professor Tony Williams – one of the very first articles to appear at Red Wedge – was conducted by editor Adam Turl and appeared on the site in October, 2012.
Read moreJohnny Got His Gun
The success of the film Trumbo – starring Bryan Cranston as the titular blacklisted screenwriter and Communist Party member – has come at an interesting time in the American cultural landscape. Discussion of socialism is now commonplace. As is free and open discussion of stripping people of their civil rights because of what their beliefs may or may not be. As a gauge of how important it might be, the film has gladly pissed off the right people.
Filmmaking is a fickle art-form; it is of course impossible to cram every single element of a person’s life into a biopic. Nonetheless, that the film doesn’t mention in any way Dalton Trumbo’s masterpiece novel Johnny Got His Gun is frustrating for those familiar with his work. Telling the story of a young soldier fighting in World War I who, caught in an explosion, loses both arms and both legs as well as his sight, hearing and...
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