Arnold, Califronia, 1985

Wives pick through the avocados, press the rinds, sinking their thumbs into the meat to ensure that this one will produce quality guacamole. In the carts, small children wind their fingers around their metal cages, burn their palms on the nylon safety belts better suited for suicide. Where are the husbands? The only man in sight stands behind the chilled meat counter. He leans now, over the grinder, making sausages. His hand rests on the control, missing an index finger, perhaps an accident that someone has served on a plate of hors d’ouerves two plates down from the guacamole. Almost unseen, a teenager with unnaturally blonde hair sweeps the floors, down each aisle in an easy, angled movement that dances under the wheels of the carts, the only sound the leather pants she wears in defiance of the dress code. The one she tells her manager she would follow if only the job provided health insurance and now she slips a pack of Virginia Slims from behind the counter and steps outside. Nearly invisible, and she promises herself she only took the pack because wages are so low they really stole them from her anyway.

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