Recent years have seen an application of the Marxist concept of uneven and combined development (UCD) to the study of cultural and aesthetic production. With a few exceptions, however, this application has been limited to the medium of literature.
This panel interrogates the framework of UCD and aesthetics through questioning the nature of the relationship and expanding said framework into music and visual art. It also discusses the relationship between aesthetics and the geographic changes of neoliberalism.
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