I have always believed that art and magic were the same thing. In magic, you can manifest power by manipulating objects. These objects (such as images, symbols, and signs) could be utilized to induce activity on the forces of nature and create different mystical phenomena.
This is the main reason why the majority of my works are expressionist ink sketches with figurative representation of resistance against capitalism, patriarchy, racism, imperialism, and other backward manifestations. I believe expressionism is a product of resistance against impressionism and academic art; an art movement charged by emotions, spirituality, and mysticism.
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"Corpocracy,” currently at the Station Museum of Contemporary Art in Houston, provides another opportunity to reexamine important questions of a genuinely militant and engaged art practice. The show features political, mostly contemporary work by artists such as Michael D'Antuono, Kenneth Tin-Kin Hung, Packard Jennings, Eugenio Merino, Yoshua Okón, Stephanie Syjuco, and Judi Werthein. One arts collective is featured as well: the Beehive Design Collective.
Modeled on retro, aluminum signage, with chasing lights that flicker on and off in different patterns, Steve Lambert’s Capitalism Works For Me! True/False (2011) spells out the work’s exclamatory title...
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