Initially this online issue was to focus primarily on the intersections of socialist politics, technology, and culture. While the issue still does that it has evolved to include further questions of current left-cultural praxis.
Read moreA Partial + Schematic History of Red Wedge
Red Wedge (RW) was started in 2012 by a group of (then) ISO (International Socialist Organization - US) comrades around Alexander Billet, Brit Schulte and others. From the beginning there was a commitment to, tension and dialectic between, RW’s desire to play a modest role helping develop the actual production of socialist, left-wing, and working-class art, and its role reckoning on the socialist theory of art.
Read moreSocialist Irrealism vs. Capitalist Realism
The default cultural logic of neoliberalism and the political center is capitalist realism. In response the cultural logic of working-class emancipation (socialism) is critical irrealism. The ir – or no – of critical irealism is opposed to a particular kind of realism. Therefore, we should examine it more closely.
Read moreIn its Right Place: Critique in the age of Spotification
In the age of Spotification, music has been decommodified in appearance. Of course even at the height of commodification it retained its use value “aura”; its metaphysical subtleties and theological niceties have always/already been there. But it is now a time in which music serves a different social purpose. In a sense, to play on Marx’s “collective labourer”, there is an emergent “collective listener”, predicated upon th
Read moreNaked Souls: Imposition and "Nudity" in the Internet Age
At the confluence of the internet age and the #MeToo movement, revisiting John Berger's book Ways of Seeing and its discussion of nakedness verses nudity is a conversation that needs to be had. Not only because he articulated the predominance of the male gaze and discussions of power, but because he referenced Walter Benjamin's Art in the Mechanical Age. Namely that, through reproduction, when art is removed from its intended location of contact with the public, it takes on different meanings through recontextualization, -- the intrinsic location of artwork lending some of the meaning overall (part of the psychological pilgrimage to approaching art).
Read moreThe Formless Monstrosity: Recent Trends in Horror
In an October 2017 piece “How We Ended Up in the Golden Age of Horror Movies”, Scott Meslow notes that the history of horror films has been one of keeping the lights on in Hollywood while receiving no respect from the studios. Director Mike Flanagan recalls endless “eye rolls” at pitch meetings from executives who balked at any attempt to make a serious film in the horror genre—capital’s representatives wanted the equivalent of fast food with “empty calories” making up the bulk of their horror repertoire. What then explains this change of heart in recent years, with studios churning out critically acclaimed films such as Get Out (2017) and Hereditary (2018)? The most immediate cause is to be found in smaller studios producing critically-acclaimed box office hits with minuscule budgets—an attractive model in the era of $100 million dollar blockbusters.
Read moreRealism Modernism, + the Specter of Trotsky (part 3)
In particular, I am concerned here to refocus away from the hitherto ‘ghostly’ character of Trotsky’s presence in this article to date and allow him to speak in the same way as Lukacs and Greenberg on their respective themes in parts 1 and 2. In particular, I want to introduce Trotsky’s concept - virtually unknown during the historical debates surveyed in Parts 1 and 2 - which he called “the ‘law’ of uneven and combined development”(UCD), the current widespread deployment of which has done so much to revive and consolidate Trotsky’s reputation as an important Marxist theorist, in addition to that of revolutionary strategist.
Read moreLil Nas X: Old Town Rodeo for a New Power Generation
Lil Nas X burst onto the music scene--in retrospect, an inevitable star--with the Tik-Tok viral single Old Town Road in xx 2019. The song reached number-one status on Billboard 100 and occupied the position for 19 weeks, the longest of any number-one hit in sixty-one years.
Read moreHackers + Slackers: Encounters with Science + Technology in 90s Cinema
In the 1992 science fiction film The Lawnmower Man, a mentally challenged groundskeeper named Jobe becomes hyper-intelligent though experimental virtual reality treatments. As his intellect evolves, he develops telepathic and telekinetic abilities. By the end of the movie, Jobe transforms into pure energy, no longer requiring his physical form and completely merging with the virtual realm, claiming that his “birth cry will be the sound of every phone on this planet ringing in unison.”
Read moreStafford Beer: Eudemony, Viability and Autonomy
What if the global economy were structured, not to send wealth into the hands of a tiny group of oligarchs, but rather to ensure the best possible lives for everyone, ensuring that people lived fulfilling lives free from want, engaged in activities that interested them and engaged them, enabling them to pursue their own interests alongside working for the common good? What if people worked in co-operatives, coordinated together to meet the needs of society, organized from below rather than from above, with the workers themselves as the beneficiaries of their labor? What if the global economy elevated workers instead of immiserating them?
Read moreDon't Look Back: 1980s Music + The Counterculture
n the perma-retro that constitutes contemporary life, the 80s is a montage from Wall Street (1987) St Elmo’s Fire (1985) and Desperately Seeking Susan (1985): a sequence of wet-gel, shoulder pads and designer suits backed by bombastically upbeat music. Even 80s revisits like Wolf of Wall Street (2013) and Black Mirror’s San Junipero (2016) don’t go far from the format. We don’t often speak of right-wing utopianism – more of its “cold stream” realism – but the enduring fantasies of the 80s exemplified just that. For all both Wall Street and Wolf of Wall Street’s acknowledgement of 80s’ corruption, cruelty and volatility, it is the class-A rush of acquisition, consumption and social contract-busting that stays with the viewer. And the same is true of book and film of Bonfire of the Vanities and even American Psycho.
Read moreThe Portions of the Day: Screen-Time + Time Discipline
Though the notion of cursing sundials seems quaint today, these lamentations, attributed to the Roman playwright Plautus, speak to an anxiety about the draining nature of time measurement that still seems prescient. In 1967, over two centuries after Plautus died, the Marxist historian E.P. Thompson would take time out of the hands of poets and put it into the hands of historians and anthropologists with his essay “Time, Work-Discipline, and Industrial Capitalism” where he traced the relation of “clock-time” through the emergence of waged labour in the industrial revolution:
Read moreMemez
INGA ORTIZ [Assassin #6] stood above the corpse of Governor Irina Blythe-Pillsworth. The governor’s eyes were staring up at the gilded bathroom ceiling in the Grand City Hotel. They betrayed none of the horror they’d shown when she’d turned a corner, just moments ago, and saw an Employed leaning against a marble sink.
Read moreGentrification Is Coming + There Will Be Cupcakes
A point of convergence / Collision of the fluid kind / Turbulent / Where reflection is muddled / And the spirit murky / These are all questions.
Read moreWater found on distant planet
Water found on distant planet. / I want to go there. / Free of embarrassment, none that I know there.
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