A Partial + Schematic History of Red Wedge

Red Wedge (RW) was started in 2012 by a group of (then) ISO (International Socialist Organization - US) comrades around Alexander Billet, Brit Schulte and others. From the beginning there was a commitment to, tension and dialectic between, RW’s desire to play a modest role helping develop the actual production of socialist, left-wing, and working-class art, and its role reckoning on the socialist theory of art.

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In its Right Place: Critique in the age of Spotification

In the age of Spotification, music has been decommodified in appearance. Of course even at the height of commodification it retained its use value “aura”; its metaphysical subtleties and theological niceties have always/already been there. But it is now a time in which music serves a different social purpose. In a sense, to play on Marx’s “collective labourer”, there is an emergent “collective listener”, predicated upon th

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Naked Souls: Imposition and "Nudity" in the Internet Age

At the confluence of the internet age and the #MeToo movement, revisiting John Berger's book Ways of Seeing and its discussion of nakedness verses nudity is a conversation that needs to be had.  Not only because he articulated the predominance of the male gaze and discussions of power, but because he referenced Walter Benjamin's Art in the Mechanical Age.  Namely that, through reproduction, when art is removed from its intended location of contact with the public, it takes on different meanings through recontextualization, -- the intrinsic location of artwork lending some of the meaning overall (part of the psychological pilgrimage to approaching art). 

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Realism Modernism, + the Specter of Trotsky (part 3)

In particular, I am concerned here to refocus away from the hitherto ‘ghostly’ character of Trotsky’s presence in this article to date and allow him to speak in the same way as Lukacs and Greenberg on their respective themes in parts 1 and 2. In particular, I want to introduce Trotsky’s concept - virtually unknown during the historical debates surveyed in Parts 1 and 2 - which he called “the ‘law’ of uneven and combined development”(UCD), the current widespread deployment of which has done so much to revive and consolidate Trotsky’s reputation as an important Marxist theorist, in addition to that of revolutionary strategist.

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Hackers + Slackers: Encounters with Science + Technology in 90s Cinema

In the 1992 science fiction film The Lawnmower Man, a mentally challenged groundskeeper named Jobe becomes hyper-intelligent though experimental virtual reality treatments. As his intellect evolves, he develops telepathic and telekinetic abilities. By the end of the movie, Jobe transforms into pure energy, no longer requiring his physical form and completely merging with the virtual realm, claiming that his “birth cry will be the sound of every phone on this planet ringing in unison.”

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Stafford Beer: Eudemony, Viability and Autonomy

What if the global economy were structured, not to send wealth into the hands of a tiny group of oligarchs, but rather to ensure the best possible lives for everyone, ensuring that people lived fulfilling lives free from want, engaged in activities that interested them and engaged them, enabling them to pursue their own interests alongside working for the common good? What if people worked in co-operatives, coordinated together to meet the needs of society, organized from below rather than from above, with the workers themselves as the beneficiaries of their labor? What if the global economy elevated workers instead of immiserating them?

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Don't Look Back: 1980s Music + The Counterculture

n the perma-retro that constitutes contemporary life, the 80s is a montage from Wall Street (1987) St Elmo’s Fire (1985) and Desperately Seeking Susan (1985): a sequence of wet-gel, shoulder pads and designer suits backed by bombastically upbeat music. Even 80s revisits like Wolf of Wall Street (2013) and Black Mirror’s San Junipero (2016) don’t go far from the format. We don’t often speak of right-wing utopianism – more of its “cold stream” realism – but the enduring fantasies of the 80s exemplified just that. For all both Wall Street and Wolf of Wall Street’s acknowledgement of 80s’ corruption, cruelty and volatility, it is the class-A rush of acquisition, consumption and social contract-busting that stays with the viewer. And the same is true of book and film of Bonfire of the Vanities and even American Psycho.

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The Portions of the Day: Screen-Time + Time Discipline

Though the notion of cursing sundials seems quaint today, these lamentations, attributed to the Roman playwright Plautus, speak to an anxiety about the draining nature of time measurement that still seems prescient. In 1967, over two centuries after Plautus died, the Marxist historian E.P. Thompson would take time out of the hands of poets and put it into the hands of historians and anthropologists with his essay “Time, Work-Discipline, and Industrial Capitalism” where he traced the relation of “clock-time” through the emergence of waged labour in the industrial revolution:

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Memez

INGA ORTIZ [Assassin #6] stood above the corpse of Governor Irina Blythe-Pillsworth. The governor’s eyes were staring up at the gilded bathroom ceiling in the Grand City Hotel. They betrayed none of the horror they’d shown when she’d turned a corner, just moments ago, and saw an Employed leaning against a marble sink.

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